تانیثیت اور شعری ادب (آغاز تا دور جدید)

Faminism and poetry literature (modern from beginning to era)

Abstract

This tradition of Sadat Yar Khan Rangin was adopted by other poets as well and thus the promotion and development of Rekhti increased. The tradition of this tanithi accent gained momentum and colour in Lucknow until the male poets began to keep their own pleasures and began to feel proud to say poetry in this tone. This tone flourished in Nasar too. Wajid Ali Shah Akhtar, the last ruler of Lucknow, used to say poetry in a tanithi tone, even dressed like a woman, and he would sit among men, and he would take all the movements and actions that a woman passes through during delivery. Thus, understanding the pain of tanitism, they would interpret their emotions. Although some women were attracted to poetry and literature at the end of the eighteenth century, they did not reveal their names, so their efforts remained behind the scenes for a long time and for a long time they could not make their mark in the world of literature, to convince themselves. Our tanisi poetry also makes like a kunj, snapping, stammering, but who hears the sound of a parrot in the box? So, all the prosands of tanitism are left head-to-head with walls. To say that today there is a rule of social media everywhere that the under-album of your breath can be heard and seen in every corner of the known world but even today the media is occupied by specific adhaans. If they have their own interests, then sympathy is wrapped up by making lies true.